Past Exhibitions

December 2, 2025 – February 4, 2026 

Canyon Country Community Center, 18410 Sierra Hwy, Santa Clarita, CA 91351

“Let Go” by artist Dani Samson is a series of collages created through an intentional act of surrender.  Samson states “Using a diverse array of materials, I enlist gravity as my collaborator, dropping cut elements onto a surface and gluing them down exactly where they land. By relinquishing control, I suspend my thoughts and conditioned habits, allowing surprising compositions to emerge. This process yields arrangements that challenge my expectations, often leading to captivating material interactions that bring new depth and complexity to the work. Much like life itself, this series explores the cycle of choice, chance, acceptance, and interpretation. Each viewer brings their own perspective, assigning meaning in the same way I do when stepping back from the work. I invite audiences to spend time with these pieces, asking themselves: What could it be? What could it mean to me?”

Links to Dani Samson’s Media related to “Let Go“:

• “Let Go” first published: https://www.instagram.com/p/C7hRBctp-5j/
• Samson explaining the piece Discovery: https://www.instagram.com/p/C7mvLv2Snhq/
• Samson explaining the piece Sit: https://www.instagram.com/p/C77xCPRPA3i/
• Demonstration and discussion of the piece Explore: https://www.youtube.com/watch?v=RXQuHp7IRqI

The artwork attached is titled “Portal”

Q&A with Dani Samson 

How do you usually start your creative process?
“In most of my practice, my process begins with a basic structure that I build from, such as a sketch or a reference image. There’s usually a lot of thought and intention behind how I arrange my materials, which often span multiple mediums. While I allow for looseness and moments of discovery, I tend to assert a fair amount of control over the outcome. What’s unique about the Let Go series is how radically simple the process is: gather collage materials, drop them, glue them, and observe the result. I have very little control, which makes this approach highly unusual for me.”

What is the best piece of advice you’ve received as an artist?
“There are many ways I could answer this, but one piece of advice has consistently carried me through my practice: fully own what you do. When I was first developing my creative voice, I felt self-conscious and uncertain about my work and its meaning. It’s easy, as an artist, to question the validity of what you make, how you make it, or why you make it. But leaning into your instincts, trusting your voice, and releasing shame around your work is essential. Your perspective is enough, exactly as it is.”

You use gravity as a collaborator by dropping cut elements and gluing them exactly where they land. How did you develop this technique, and what surprised you most when you began using it?
“In 2024, I challenged myself to intentionally cultivate certain qualities in both my life and my practice. One of those qualities was play. I initially approached this method as a fun exercise rather than a formal technique. I dropped the pieces simply to see what might happen. By the time I finished the first piece, I was genuinely laughing out loud with delight. The results were far more compelling and beautiful than I had anticipated, and I was surprised by the cosmic profundity of it.”

Have you ever been tempted to intervene after the pieces land, or is the commitment to “no adjustments” part of the integrity of the work?
“I am definitely tempted! But I very rarely make adjustments. Once in a while, I will flip a piece over if it lands “face down” (or what I think is face down). Other than that, I trust the process and let it be.”

How do you decide when a piece is finished, especially when chance dictates so much of the composition?
“Because I select all of the collage materials before I begin, the ending is already determined. The piece is finished when every chosen element has been used. Deciding how many pieces to select at the start is intuitive, guided by a feeling of “this is enough.” Knowing when a work is complete is an important skill in my practice overall, but in this series, the parameters make that decision more straightforward.”

November 19, 2025 – January 14, 2026

The MAIN, 24266 Main St, Santa Clarita, CA 91321

The City of Santa Clarita is proud to announce its latest art exhibition, “Persona Grata: Portraits” by Heidi Brueckner on view at The MAIN (24266 Main Street) now through January 14, 2026. This collection features large-scale, colorful oil and mixed-media figurative paintings that explore humankind’s understanding of itself and its relationship to storytelling.

Brueckner’s bold portraits present individual narratives through self-presentation, gesture, and expression, inviting viewers to reflect on the universal act of observing others as a way of better understanding ourselves. Her assertive use of color is intentionally divorced from naturalism and used as a metaphor for shared Humanity. The work is further animated through unconventional surfaces, including unstretched canvas, recycled bubble mailers, and found materials that billow slightly when hung, adding movement and texture to each piece.

​Drawing from an empathetic, documentary-like approach, Brueckner honors the dignity of her subjects while simultaneously disrupting traditional portraiture with unexpected spatial relationships, sculpted fabrics, sequins, and other playful mixed media elements. Her practice blends contemporary expression with socio-environmental awareness, integrating post-consumer materials as both artistic texture and commentary on interconnectedness, value, and sustainability.

The featured artwork attached to this release is entitled “It’s Raining Love” by Heidi Brueckner.

Q&A with Heidi Brueckner 

How do you usually start your creative process?
“I usually start with choosing a human subject either from life or from a personal photo. I may do some initial compositional sketches to get an idea of the overall form of the design. I then do a fair amount of intuitive work searching for mixed media materials or substrates and developing color schemes for each section of the work which I feel are appropriate to my overall vision.”

What is the best piece of advice you’ve received as an artist?
“Hang in there! Just keep doing what you want. Not everyone will get or like your work—that’s ok. Trends in the art world come and go. Maybe at one point your work will align with it, maybe not. Do it for yourself and as a way to enrich your life. That is the most important part of artmaking.”

Do you have any tips for artists starting out?
“Do what you love to do and plan for spending time working at getting better at it. Set a schedule for creating art. That dedication I believe becomes apparent in the work. Having said that, it’s easy to feel that you are not doing enough if you can’t dedicate yourself to art full-time. I have learned to set realistic, and therefore achievable, goals and expectations for myself. Meeting those goals feels very productive and puts me into a healthy mindset. I can then choose to surpass those realistic goals if I am able, which also feels great. Apply for as many art opportunities as you can and look at it as a numbers game. There will be a certain (larger) percentage that you will fail at and there will be some (smaller) percentage that will go your way. I really try to not take all of it too personally or overthink rejection. Accepting the fact that not everyone will respond to your work is actually really freeing. Do it for yourself. Also, expect to not expect when and where something positive will happen. I have also learned that the accolades are definitely not something one should base their self-worth on, and that’s why it is really important to be grounded in the work and what it does for your own experience in life.”

Do you have a favorite piece in this exhibit, if so, why is it your favorite?
“I don’t think I have a favorite, but I can say “Lounging in the Lot” is one of my favorites. It is a portrait of my son taking a break from skateboarding in a flea market lounge chair. Blind contours of my face and hands are in the clouds watching over him. Also, among the fabrics and papers included, there are remnants from his clothing from growing up that are integrated into the background which makes the work very personal.”

How do you hope viewers connect with this exhibit?
“My work at its core is about humankind’s understanding of itself. I study human nature, and its relationship to storytelling. These portraits are individualistic narratives which explore personage through self-presentation, facial expressions, and gesture. The work often challenges dominant social hierarchies by focusing on the under-revered, and appreciating the subject’s presence and dignity, giving pause to honor the person. The aesthetic is assertive, and the color is divorced from naturalism. Skin color is therefore eliminated which I believe is metaphorical for the hope that society aspires to, and achieves, equality among races and other kinds of human differences. The work is meant to honor the entirety of humanity—not just one section of the population or kind of person. I also see the integration of post-consumer waste of our globalized culture as a socio-political act which expresses our interconnectedness in what that we consume and waste but also compares what we consider treasure or trash. Ultimately, the paintings venerate the individual, and I view the work as being about Love, the kind of love that gives grace and understanding to individuals for what and who they are, including all their wonderment and imperfections. Another goal is to inspire working for a more socially and environmentally just world, encouraging people to appreciate and love one another, and to understand the importance of social justice and respect for our earth and all its creatures.”

You use unconventional surfaces like unstretched canvas, recycled bubble mailers and found materials. What inspired this shift away from traditional substrates?
“I started experimenting with some alternative substrates when a large amount of detritus was generated in my home during the Covid-related shutdown. In an effort to recycle, I started by using paper bags because for a while we weren’t allowed to bring used bags back to grocery stores. I then switched to using pieced-together Amazon bubble mailers because of them piling up from all the online ordering. After a while, I started to see the integration of post-consumer waste of our globalized culture in my work as a socio-political act which expresses our interconnectedness in what we consume and waste but also compares what we consider treasure or trash. Painting on alternative recycled materials as substrates and introducing other recycled mixed-media elements such as paper, sculpted fabric, and found objects into my portrait paintings have really opened up creative possibilities and expression in the work and also have added a uniquely contemporary and environmentally friendly component.”

Are there any new materials, stories or approaches you’re eager to explore?
“In more recent paintings, I have started experimenting with the overall shape of the paintings beyond the “square”, and also with adding more substantial 3D elements, like sculpted fabrics, which offer a higher relief element to the images. This experimentation has helped me feel that there are unlimited possibilities in my chosen genre of portraiture. It has enabled me to follow whimsical tangents of materiality while being challenged with integrating those ideas with the more traditional medium of paint which is often used to suggest illusionism. I am soon travelling to India and hope that the travel photography I do there will provide a new jumping off point for the work.”

August 19, 2025 – November 12, 2025

Old Town Newhall Library, 24500 Main St. Santa Clarita, CA 91321

The City of Santa Clarita is pleased to present its latest art exhibit, “Castaic Union School District Student Exhibition” on view now through January 20, 2026 at the Santa Clarita Public Library Old Town Newhall Branch (24500 Main Street).

This exhibition showcases 180 playful winter and autumn-themed artworks inspired by the seven elements of art—line, shape, space, value, form, texture and color. Each piece was created by students from across the Castaic Union School District, including Castaic Elementary School, Live Oak Elementary School and Northlake Hills Elementary School.

After developing their art skills throughout the school year, students applied their creativity through a wide variety of mediums, highlighting both individual expression and a shared spirit of imagination. The exhibition celebrates the creativity of young artists and the importance of arts education in fostering curiosity, skill and self-expression.

The featured artwork attached to this release is entitled “Alma Thomas Winter Forest” by Delilah Martinez-Cazares.

November 3, 2025 – January 28, 2026

Valencia Public Library, 23743 Valencia Blvd, Valencia, CA 91355

The City of Santa Clarita is pleased to present “Circle of Life,” a solo photography exhibition by Jayme Sun Thomas, on view at the Santa Clarita Public Library Valencia Branch (23743 Valencia Boulevard), now through Wednesday, January 28, 2026. This exhibition captures the beauty, behavior and diversity of wildlife through an intimate lens-inviting viewers to reflect on the interconnectedness of all living things.

“Circle of Life” showcases a variety of species—including insects, amphibians, birds and mammals—all photographed at our local Placerita Canyon between 2022 and 2025. A Docent Naturalist at Placerita Canyon Nature Center since 2023, Thomas has documented wildlife there since 2018, combining her deep scientific understanding with an artistic eye for storytelling. Her work reveals the grace and innocence of animals in their natural environment, highlighting their behaviors and interactions with one another and their surroundings.

“My hope with my solo exhibit is to create a feeling among community members to become more curious about our natural species in hopes that they too, will love and respect our planet’s biodiversity and make a difference in wildlife’s survival to prevent further extinctions in the wild,” Thomas shares.

The photograph attached to this press release is titled “Elderberry Breakfast” by Jayme Sun Thomas.

October 15, 2025 – December 9, 2025

City of Santa Clarita City Hall, 23920 Valencia Blvd #120, Valencia, CA 91355

The City of Santa Clarita is pleased to present its latest art exhibition, Autumn Views, on display in the First Floor Gallery at City Hall (23920 Valencia Boulevard) now through Tuesday, December 9. A free public reception will be held on Friday, November 14, 2025, from 6:00 to 8:00 p.m. at City Hall, where guests can meet the artists and enjoy light refreshments. This showcase captures the beauty, warmth and quiet transitions of fall, inviting artists and visitors alike to reflect on autumn as both a visual spectacle and an emotional landscape. From golden hues and cozy skies to nostalgic memories and shifting light, Autumn Views celebrates the richness of the season, offering viewers a chance to pause, connect and embrace the reflective spirit of nature’s most colorful chapter.

Among the featured artists is Donna J. Goldstein, who has been painting the California landscape for over 30 years. Her work draws inspiration from her studies in design at UCLA and her experience as a naturalist in the Santa Monica Mountains, resulting in realistic impressions that celebrate California’s ever-changing natural beauty.

Also featured is Karen Nguyen, whose creative process blends careful planning with spontaneous expression. Before painting, she envisions where the artwork might be displayed, maps out a theme and selects a color palette. Once inspiration strikes, Nguyen incorporates untraditional tools—such as toothbrushes, strings, straws and scrapers—to bring texture and individuality to each piece. Her work can be found in her Costa Mesa studio, at the New York World Trade Center, John Wayne Airport and in collections across public and private spaces both domestically and internationally.

The exhibiting artists include: Faye Abharian, Sue Bozman (Sima), Marita Braun, Elizabeth Chislett, Fred Chuang, John Cowan, Arpy Dabbaghian, Don Dao, Meghann Flaherty, James Frost, Donna J. Goldstein, Isabella Gonzalez, Zony Gordon, Veronica Gutierrez, Ruben Hernandez, Mahsa Irani, Keiji Ichikawa, Karen Kanas, Diane Karpel, Allison Lauricella, Karen Nguyen, Matthew Santos, Olga Shiller, Miki Stromberg, Arous Tannous, Felicia Tausig, Jayme Sun Thomas, Hannah Thoreson, and Naomi Young.

The featured photo is “Autumn River” by artist Karen Nguyen.

September 30, 2025 – November 24, 2025

Canyon Country Community Center, 18410 Sierra Hwy, Santa Clarita, CA 91351

The City of Santa Clarita announces a new exhibition, “New Futures” by photographer Sam Kweskin and Choreographer Stephanie Zaletel. This exhibition will be on view from September 30, 2025 – to November 24, 2025, located at the Canyon Country Community Center. “New Futures” held a live performance during the annual Business for Artists Conference. Held in the gym, a 20-minute performance blending physical choreography and visual art, “New Futures” explores evolving expressions of masculinity through movement, silence, breath, and light. Set against themes of care, collapse, and transformation, the piece invites viewers to imagine a more balanced, embodied, and hopeful future. Performed by CalArts alumni and faculty, this meditative work is drawn from Zaletel’s MFA thesis and will be adapted to an indoor setting using natural or handmade lighting elements. Accompanying the live performance is a photo series by Sam Kweskin, offering a visual world that expands on the performance’s themes.

September 17, 2025 – November 19, 2025

The MAIN, 24266 Main St, Santa Clarita, CA 91321

The City of Santa Clarita is proud to announce its latest art exhibition, Celebrating Life, by Bob Hernandez on view at The MAIN (24266 Main Street) now through November 19, 2025. The community is invited to a special reception on Thursday, September 18 from 7:00 to 10:00 p.m. at The MAIN, offering a unique opportunity to engage with the artist and explore the exhibit firsthand.

Celebrating Life, honors the connections, surprises and resilience that shape our shared human experience. Through expressive watercolor and acrylic works, Hernandez reflects on the people, memories and moments that matter most – offering a personal yet universal tribute to the creativity and strength within us all.

From an early age, Hernandez was drawn to creativity, often coloring outside the lines. As he grew, it became clear that art would shape his life’s work. Known for experimenting with a wide range of styles and techniques, he has made innovation his signature. Hernandez also founded The ARTree, a nonprofit in Old Town Newhall that helps individuals of all ages discover and develop their creative potential.

His artistic achievements have earned broad recognition. Hernandez has received an Emmy, along with numerous local, national and international honors. His fine art pieces have garnered multiple silver and gold awards for paintings and drawings across various multimedia projects.

The art reception will provide an opportunity to meet Bob Hernandez and gain insight into his creative process. The event is free and open to the public.

August 20, 2025 – October 15, 2025

City of Santa Clarita City Hall, 23920 Valencia Blvd #120, Valencia, CA 91355

The City of Santa Clarita is proud to present its newest art exhibition, “Hispanic Heritage Month,” on view now through Wednesday, October 15, 2025, in the First Floor Gallery at City Hall (23920 Valencia Boulevard). This juried exhibition celebrates the rich cultural traditions, history, and vibrant contributions of the Hispanic and Latin American community. Opening ahead of Hispanic Heritage Month (September 15 – October 15), the show showcases a wide variety of mediums and artistic voices from deeply personal narratives to vivid celebrations of heritage. A free public reception will be held on Friday, September 19, 2025, from 6:00 to 8:00 p.m. at City Hall, where guests can meet the artists and enjoy light refreshments.

Among the featured artists is Raymond Morua (@bad_hombre_art), whose painting La Madre y Niño pays tribute to the quiet power and sacred role of Latina mothers. Morua states “Painted in my signature “Barrio Baroque” style, this piece fuses bold color, cultural symbolism, and emotional depth to honor the strength, tenderness, and beauty passed down through generations.” Morua continues “The mother’s embroidered blouse and skirt reflect Mexican tradition, while golden tones surround her like an aura — elevating her to something holy, yet grounded. Her hands are rough and stained by work — not by accident, but by design. Mexican mothers are not only tender and divine, they are laborers, protectors, and fighters. As a self-taught Chicano artist, veteran, and storyteller, I use my work to reflect my culture and heritage”.

Also included is the work of Ruben Hernandez (@kptudio_la), a painter and muralist born in Hermosillo, Sonora, Mexico. Hernandez states “My art is rooted in the immigrant story—one I have lived, witnessed, and continue to be inspired by. Through murals and paintings, I honor the resilience of my family and the Hispanic community, whose hard work has shaped and enriched this country.”

Also featured is Barbara Rivera (@barbarariveraart), a self-taught artist of Cuban and Mexican descent, explores heritage, family, and identity in her vibrant paintings. Influenced by her parents’ immigrant journey and her own bicultural background, Rivera’s work captures the joy, complexity, and enduring spirit of her cultural roots. Rivera states “My hope is that after seeing my paintings, you can walk away with the desire to tell your story or paint your journey.  Whatever creative process is in your path, take it.  I challenge you to tell your unique story, your human experience.  You will be amazed with the power that’s within you.  As crazy and complicated as it may be, it’s your story.  Through my paintings you can see a glimpse of mine.  I paint every day because art liberates me.  As cliché as it sounds, I feel alive when I paint, when I’m creating.  It is my moment.  I can move in any direction that my heart desires. That is true freedom.”

The exhibiting artists include Sydney Coleman, Jesus Delgadillo-Galindo, Estefania Farias, Wendy Hernandez, Ruben Hernandez, Jocelyn Lagunas, Raymond Morua, Barbara Rivera, Stephen Ruiz, Siliva Sinalo, Lorena Uriostegui, Rosa Villanueva, and Andrea Wong.

August 19, 2025 – November 12, 2025

Old Town Newhall Library, 24500 Main St. Santa Clarita, CA 91321

The City of Santa Clarita is excited to announce a new exhibition “A Conversation Under the Sun” at the Old Town Newhall Library on view from August 19, 2025 – November 12, 2025. This exhibition is a collection of Gouache on Paper abstractions and is an ongoing investigation into the ability of abstract painting to create a personal pictorial language. “With suggestions of landscape or figuration, there is created a tension between spontaneity and calculation, gesture, and rendering. In response to the memory of external nature there is the constant attempt to find a place between pure expressive forms and the experience of nature internalized. In conversation with the attempts to depict our world, I reference early sources of abstraction and enhance these references with personal associations of the same mysteries that are around us”. – Tim Forcum

Exhibiting Artist: Tim Forcum