Past Art Exhibitions Held in the Santa Clarita Valley Area

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Past Exhibitions

Flawless Chaos by Angel Barris
May 23 – August 21, 2024
Canyon Country Jo Anne Darcy Library, 18601 Soledad Canyon Rd, Santa Clarita, CA 91351

Santa Clarita Arts presents “Flawless Chaos,” an art exhibition by Angel Barris at the Canyon Country Jo Ann Darcy Library from May 23 to August 21, 2024. The show embodies chaos and order, showcasing a series of vibrant portraits by the artist.

Barris’ use of diverse materials such as acrylics, oils, laundry detergent, and markers on canvas brings each piece to life in a flurry of color, pattern, and texture. This exhibition promises to immerse visitors in a world where the pandemonium of mediums and the precision of artistic intent come together into flawlessly chaotic art pieces.

Angel Barris’ work is a captivating reflection of identity and experiences. Her portraits radiate with emotion and provide a glimpse into the lives of those depicted. Barris’ use of colors, the stark contrasts of light and shadow, and the detailed textures within her clothing are rendered in her figurative painting. Santa Clarita Arts invites everyone to experience the “Flawless Chaos” at the Canyon Country Library. This is an open invitation to celebrate the ingenuity and unique artistic expression of Angel Barris.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on August 21, 2024.
Angel Barris | @The.ArtisticJourney19

Q&A with Angel Barris

Hi Angel, thank you for exhibiting your paintings with us at the Canyon Country Jo Anne Darcy Library. Tell us, what is your background? How did you get into art?

I grew up in Victorville, California. At a young age, I used printer paper and drew with markers, crayons, and colored pencils, before I began painting. Then I took a painting class and enjoyed learning about the perspectives of art and painting with watercolor. In 2019, I enrolled into Otis College of Art and Design in Los Angeles and majored in fine art painting and was excited to learn, experience and explore the different values of art that have progressed my career as an artist. I graduated from Otis College in 2023 and continued painting with acrylic, oil, and other mediums on canvas.

Can you walk us through your creative process?

Once I have an idea for my next piece, I grab a canvas and pencil to begin sketching it out, before I start to paint. I prefer the sketching process first because it is easier and I get to figure out where I should begin painting, and then go on from there.

Where do you find inspiration for your pieces?

The inspiration I find for my work comes from wanting to create something I have never done before. Whenever I have an idea that pops into my head, I think about how I can creatively bring that idea to life for the viewers by thinking about every color, shape, and style I can use.

How would you describe your artistic style?

My artistic style is based upon the perspectives of Visual Art, as well as the stories behind the paintings I create. Each painting I do is impacted by the meaningful story I want viewers to see on the canvas. Everyone is different and we all have opinions on what we see when looking at an artwork.

How do you come up with ideas for new pieces?

When I get an idea for what I want to paint, I sketch it out and then begin painting. Before I begin to paint, I think about what I can add to the piece that I have never done before. I tend to create something different each time, not only for me but for the viewers to see.

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Past Exhibitions

Dawn/Eclipse of A New Era by Harry Gamboa Jr.
June 4 – August 5, 2024
Reception: June 20, 7-10pm
The MAIN, 24266 Main Street, Santa Clarita, CA 91321

Harry Gamboa Jr. directed/photographed numerous performers as they incorporated their individual/collective bodies to form ephemeral actions on-site in Newhall to create digitized/print photographic imagery. The surreal meets the existential as portraiture becomes performative. Human presence on urban terrain is illusory as actuality confronts virtuality. The mirage of the masses is evasive but reverbates as myth via images persist in memory. The effect of “noir” is essential to Southern California but gray zones emerge in the Dawn/Eclipse of A New Era.

Performers: Yasaman Alipour, Jasmine Alvarez, Madelaine Auble, Fía Benitez, Ivan Brizuela, Christian Chavez, Wesley Chen, Duke Choi, Oscar Corona, Joseemar Correas, Adriana Dinapoli, Steven Fang, Stella Felice, Sage Fogel, Juan Herrera, Oltree Hui, Zoe Liu, Zoe J. Moon, Norma Nava, Jenny Nirgens, Benjamin Quiñones, Steven Reyes, Mir Rosales, Ruth Villalobos Saucedo, Elias Magallanes Talamas, Jake Thornton, Jazmin Urrea, Emiko Wilks, Shu Zhang

Harry Gamboa Jr. conceived/directed/photographed, DAWN/ECLIPSE OF A NEW ERA, an Ephemeral Action/Portraiture series.

Harry Gamboa Jr. (Los Angeles, 1951 – )
Co-founder of Asco (1972-1985), Los Angeles-based performance group.
Founder/Director of the international performance troupe, Virtual Vérité (2005-2017).
Faculty, Photo/Media Program, California Institute of the Arts.

His work has been exhibited/collected internationally: AltaMed Art Collection (2022); J.Paul Getty Museum (2021); Museum of Contemporary Art (2020); Ludwig Museum, Cologne, Germany (2020); Smithsonian National Portrait Gallery (2019); Autry Museum of the American West (2018); Whitney Museum of American Art (2016, 1995 Biennial); Smithsonian American Art Museum (2014); Tate Liverpool (2013); Museo del Palacio de Bellas Artes, Mexico City (2011); Los Angeles County Museum of Art (2011); Centre Pompidou, Paris (2006).

His work has been featured: Los Angeles Times, The New York Times, Apollo, Spike, The Wall Street Journal, Financial Times, Frieze, Aperture, USA Today, Variety, Le Monde, Artforum, Art in America, Flash Art, DW, Terremoto, The New Yorker, Vanity Fair, Art Monthly and El País.

He is the author of Xoloitzcuintli Doppelgänger, essays in Pfeil No. 10 & 12 (Hamburg), Exploring Commonism A New Aesthetics of the Real (Antwerp); Urban Exile: Collected Writings of Harry Gamboa Jr. (University of Minnesota Press).

To schedule a private viewing of the artwork, please contact Jeff Barber JBARBER@santa-clarita.com.

Image Credit:
Portrait from DAWN/ECLIPSE OF A NEW ERA
©2024, Harry Gamboa Jr.
20 inches x 38 inches
B&W Photocopy on Bond

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From the Sweet Flypaper of Life
May 10 – July 16, 2024
Reception: May 11, 1:00-3:00pm
Old Town Newhall Library, 24500 Main St. Santa Clarita, CA 91321

The City of Santa Clarita is excited to present “From the Sweet Flypaper of Life,” an exhibition by high school students enrolled in the CalArts Community Arts Partnership (CAP) Photography Lab Program. This exhibition will be on view from May 10 to July 16, 2024, at the Old Town Newhall Library.

The exhibition borrows its title from the book The Sweet Flypaper of Life by Roy DeCarava and Langston Hughes. Inspired by its intimate portrayal of Black family life in 1950s Harlem, students from the CalArts CAP Photography Program captured different facets of their own “home,” whether it is a physical house, a city, or a home away from home. The resulting series of analog photographs explores the youth’s homemaking process and answers the question: What makes a home, home?

The CalArts Community Arts Partnership (CAP) Photography Lab Program invites high school students to a 12-week course on photography, taught by California Institute of the Arts School of Art faculty and students. Aimed at all skill levels, this free program provides all necessary equipment and culminates in a student photography exhibition. To learn more about California Institute of the Arts and the Community Arts Partnership, please visit www.calarts.edu.

Exhibiting Artists: Aaliyah Calderon, Alicia Medina, Andreya Garcia, angel duarte, Anthony Nathan Novelo, Armando D. Solares, Bryan Lopez, Diego Navarro, Eithan Gaxiola, Elizabeth Garcia, Eztli De Jesus, Favian Ignacio Merino, Faviola Cruz, Francis Partida, Ghino Lee, Giselle Evabella Cruz, Grey Doshi, Isaaih Sanchez, Jacob Mariano, Jose Tinoco, Josue Monterroso, Kapuri Orozco, kevin aguilar, Kimberly Martinez, Maria-Fernanda Lara, Matthew Gaxiola, Mayra Vilchis, Mia Haneline, nathalie munoz, Sam Steiner, Timara Mcintyre

Image: Faviola Cruz, Lalo, Gelatin Silver Print, 11 x 14 in, 2024

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Beyond the Pallete by LELA International
April 2 – June 3, 2024
Reception: April 18, 7-10pm
The MAIN, 24266 Main Street, Santa Clarita, CA 91321

The City of Santa Clarita announces “Beyond the Palette,” a group exhibition by artists of LELA International art organization. The exhibition will be on view at The MAIN, beginning April 2 through June 3, 2024. An opening reception will be held on April 18 from 7:00-10:00pm.

LELA International art organization is committed to the belief that it is “Art” as a universal and international medium that empowers mankind with voice. LELA’s mission is to build bridges between our diverse cultures using the voice of expression and the sharing of art and art education.

“Beyond the Palette” is a compelling group exhibition by LELA, transcending traditional boundaries. This showcase features diverse artist expression that extend beyond the conventional color spectrum. The participating artists explore unique mediums, unconventional techniques, and thought-provoking concepts, creating an immersive experience that challenges perceptions and invites viewers to delve into the depths of artistic innovation.

Exhibiting Artists: Barbara Nathanson, Barbara Tabachnick, Helga Taylor, Hideo Sakata, Joanna Chase-Mattillo, Judy Lue, Karen Sachs, Karol Blumenthal, Kathryn Pitt, Katy Bishop, Michiko Smith, Patricia Sciortino, Patti Akesson, Setsuko Hayashi, Susan Karhroody, Susan Spector, Victoria Deneroff, William Hemmerdinger

Image Credit: Michiko Smith, Living, Oil on canvas, 18 x 21 in.

To schedule a private viewing of the artwork, please contact Jeff Barber JBARBER@santa-clarita.com.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on June 3, 2024.
LELA International | lelainternational.org | Info@LELAInternational.com

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Riding Through History
March 26 – June 19, 2024
Newhall Community Center, 22421 Market St, Newhall, CA 91321

Santa Clarita Arts is pleased to announce our latest exhibition, “Riding Through History,” to be held at the Newhall Community Center from March 26 through June 19, 2024. This unique exhibition will showcase original artwork that celebrates the storied cowboy heritage of Santa Clarita. The works on display will span from photography and graphite drawing to acrylic and oil paintings, each offering a distinctive narrative that captures the essence of the cowboy epoch.

In alignment with Santa Clarita Arts’ vision, the exhibition will illuminate our region’s cowboy history through contemporary artistic lenses. The exhibition is a testament to the region’s commitment to cultural enrichment and historical preservation through the arts. The spirit of the cowboy lives on through this vibrant storytelling of art.

To schedule a visit, please contact the Newhall Community Center at 661-286-4006.

Exhibiting Artists: Mia Zumsteg, Rigo Iglesias, Sophia Wolfe, Susan O’Linn

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged by the artists after the show ends on June 19, 2024.

Image Credit: Susan O’Linn, Chet, Oil on Board, 10 x 10 x 1 in.

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Past Exhibitions

Cityscapes & Streetscapes
March 7 – June 5, 2024
Reception: March 8, 6-8pm
First Floor Gallery located at Santa Clarita City Hall
23920 Valencia Blvd #120, Valencia, CA 91355

The City of Santa Clarita is thrilled to announce the opening of its latest art exhibition, “Cityscapes and Streetscapes,” at the First Floor Gallery within Santa Clarita’s City Hall. This showcase will run from March 7 through June 5, 2024, with a special reception event planned for Friday, March 8, 2024, from 6:00 PM to 8:00 PM.

“Cityscapes and Streetscapes” showcases the nuanced perspectives of city living through various artistic mediums as seen in Mark Foster’s textured paintings, Robert Gideon’s black and white photography, and Gevork Sherbetchyan’s sublime digital painting. Exploring the dynamic and evolving narrative of urban landscapes and the intricate streets that weave through them, these curated artworks capture the essence of city life in its myriad forms – from the quiet street corners pictured in Therese Verner’s Street Vendor in Paros to the bustling populated streets in Gary Friedman’s On the Street water color painting. These selected artworks contribute visually to the compelling narrative that speaks not just to the aesthetics of cityscapes and streetscapes, but also the human experiences and stories they encompass.

Please join the City for an evening to discuss the featured artwork and get to know the artists behind the original artworks on Friday, March 8 from 6:00 – 8:00 p.m. at the First Floor Gallery. Enjoy light refreshments and live music throughout the evening.

Exhibiting Artists: Al Miller, Edessa Daliva, Faye Abharian, Gary Friedman, Gautam Misra, Gevork Sherbetchyan, Jane Mick, Jennifer St. Jude, Lana Dandan, Laurie Morgan, Mark Foster, Matthew Markum, Neil Rivas, Rigo Iglesias, Robert Gideon, Robert Koss, Scott Sager, Taylor Caliz, Taylor McCarrey, Therese Verner, and Thomas Valle Stallman.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged by the artist after the show ends on June 5, 2024.

Image Credit: Gary Friedman, On the Street, Watercolor, 11 x 14in.

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Past Exhibitions

Woven Roots by Taylor Thomas
March 14 – June 12, 2024
Canyon Country Community Center, 18410 Sierra Hwy, Santa Clarita, CA 91351

The City of Santa Clarita proudly presents Taylor Thomas’ latest exhibit, “Woven Roots,” a compelling investigation into the depiction of the Black family across generations. The exhibition is on view from March 14 – June 12, 2024 at the Canyon Country Community Centre Gallery, inviting audiences to engage with Thomas’ personal exploration of her heritage and the broader narratives of Blackness in America.

In “Woven Roots,” Taylor Thomas delves into the public and private spheres of Black family representation, employing her family’s archive as a foundational element. Through the technique of collaging original photographs with materials sourced from urban landscape, such as commercial street posters, and integrating mirrors, Thomas transcends traditional portraiture. This act of liberation from the frame and the integration of disparate elements not only bridges generational divides, but also initiates a dialogue on the evolving perceptions of Black identity.

Taylor Thomas, a Chicago native, has created a nuanced approach to storytelling. Her academic background, a graduate from Amherst College with a double major in Film & Media Studies and Sociology, and her experience in the entertainment industry, have informed her critical perspective on representation. Transitioning from her role at leading institutions like Netflix and The Walt Disney Company to pursue fine arts at the California Institute of the Arts, Thomas seeks to fill the void of diversity and complexity in the portrayal of Black narratives.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on June 12, 2024.
Taylor Thomas | @created.by.taylor | www.createdbytaylor.squarespace.com

Q&A with Taylor Thomas

Hi Taylor, thank you for exhibiting your artwork with us at the Canyon Country Community Center. Tell us, what is your background. How did you get into art?
I got my undergraduate degree from Amherst College where I double majored in Sociology and Film & Media Studies. Post college, I worked in development at Netflix and The Walt Disney Company. After a few years of making films, I realized that I wanted to get closer to the creation of representational art. That led me to my pursuit of a MFA in Fine Art at CalArts.

What themes do you pursue in your art?
Some of the themes reflected in my work surround notions of Blackness, popular culture & entertainment, and understandings of family.

How do you usually start your pieces?
I start every piece by diving into my late grandmother’s photo archive. I find something new every time I flip through her collection of family photos, and I love how this process of discovery leads my creative practice. Whether it’s a gesture, location, or the composition within the frame, a detail in a photo will inspire me to create a new work.

Is there a specific environment or materials that are integral to your work?
I love working with found materials of all kinds – whether it’s the photos from my grandmother’s archive, commercial street posters I pull from signage around LA, or the quilts that I find at second hand stores. All of these materials have rich histories that I like to play with in my work.

What memorable responses have you had to your work?
Since my practice is based in my family’s photo archive, the responses that mean the most to me are those from the family members that I’ve made collages of. I’m always so curious to hear what they think of the way I’ve captured them in a piece. This creative process prompts a lot of fascinating family conversations.

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Past Exhibitions

Sketchy Figures by Dale Voelker
February 23 – May 30, 2024
Valencia Public Library
23743 West Valencia Blvd, Santa Clarita, CA 91355

Santa Clarita Arts announces “Sketchy Figures,” a solo exhibition by Dale Voelker which is on view at the Valencia Public Library February 23 through May 30, 2024. The work Voelker creates is about contemplation — pausing for a moment to appreciate the history in our lives. He asks the viewer to step off of life’s speedy treadmill and analyze these imaginary timelines he makes with vintage paper and paint.

Using reclaimed paper, manual, magazines, and textbooks, Voelker creates layered artwork that demands more than the casual glance. His art is about juggling time, color and balance. He strives to create art that is bold, physical and has an overall element of fun. His editing process is about layering — adding and covering back up. Voelkers current work is rugged and blends areas of control with those of absolute chaos, wielding paint, markers, spray paint and using whatever tools he can find to make a mark.

Dale Voelker graduated from California State University Northridge in 1989 with a Bachelor’s degree in Art and Design. He immediately jumped into working in the design world and then started his own design business in 1995 focusing on entertainment and non-profits. Dale has designed projects for John Fogerty, Cheap Trick, Sting, Rufus Wainwright, Obama for America, the University of Southern California and Teach for America. His practice is about flexing that design muscle – balancing design with the love for fearless mark making. Recently Dale has created solo shows of his artwork and regularly participates in group shows throughout Southern California. His artwork is part of private collections from New York to Los Angeles, from Miami to Honolulu and Europe.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on May 30, 2024.
Dale Voelker | dalevoelker@yahoo.com | www.dalevoelker.com |@DaleVoelkerFineArt

Q&A with Dale Voelker

Hi Dale, thank you for exhibiting with us at the Valencia Public Library. Tell us, what motivates you to create?
Creating new artwork is just as thrilling as it was when I was in elementary school, drawing in sketchbooks and restaurant paper placemats. There is nothing quite as satisfying as seeing a finished piece of art, signed and dated up on a wall.

How would you describe your artistic style?
I like to create abstracted figurative work as well as completely layered abstract work. My work can be large multi panel canvases to small 8.5 x 11 studies and all sizes in between. Regardless of the style or size, I strive to create bold, aggressive work that juggles chaos with design.

How do you usually start your pieces?
My artwork usually starts with seeing what I have available to work with at the moment — a large piece of canvas, a pad of watercolor paper or some wood panels. From there I start with a sketch I have or a color palette or sometimes just start with loose lines and see where it goes.

Tell me about your favorite medium.
Working in a warm environment, acrylic paint is my favorite medium. I like to layer my work, and acrylic drys quick in the sun and holds up to real physical painting.

Who are your biggest artistic influences?
At the moment… Robert Rauschenberg (his use of non traditional materials and variety of work), Andy Warhol (questioning what can be art), and Kerry James Marshall (the most important contemporary artist, brave social commentary).

SCVTV.com: Dale Voelker ‘Sketchy Figures’ Gallery at Valencia’

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Round and Round: The Carousel Canvas by Jermaine Saunders
February 2 – May 22, 2024
Canyon Country Jo Anne Darcy Library, 18601 Soledad Canyon Rd, Santa Clarita, CA 91351

Santa Clarita Arts is excited to present “Round and Round: The Carousel Canvas,” a solo exhibition by Jermaine Saunders. This exhibition will be on view February 2nd through May 22, 2024 at the Canyon Country Jo Anne Darcy Library. Saunders’ exhibition is a profound satirical exploration of mass media, encapsulating the evolving dynamics of landscapes within our modern society.

Jermaine Saunders, through digital three dimensional artwork , steps beyond the mere depiction of reality, crafting intricate illusions that invite viewers to traverse into the realm of imagination. His artwork challenges conventional landscape interpretations, urging a contemplation of spectacle and manipulation. In this presentation, Saunders employs the carousel—a symbol of perpetual motion and childhood whimsy—as a metaphorical canvas to provoke and redefine the spectator’s engagement with familiar scenes. “Round and Round: The Carousel Canvas” promises to be a visually arresting experience that juxtaposes playfulness with a piercing critique of the landscapes we navigate, both real and constructed.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on May 22, 2024.
Jermaine Saunders | jermaine@jaieart.com | www.jaieart.com |@Jaieart

Q&A with Jermaine Saunders

Hi Jermaine, thank you for so much for exhibiting your artwork with us at the Canyon Country Jo Anne Darcy Library. Tell us, where do you find inspiration for your artwork?
I find inspiration in my travels, drawing from the diverse cultures, landscapes, and people I encounter. Everyday life provides a constant source of inspiration, with its myriad of experiences and interactions. Nostalgia also plays a significant role, as I reflect on past memories and emotions, extracting creativity from the rich tapestry of my personal history.

What is the purpose or goal of your work?
The purpose of my work is to express and convey my personal inner emotions through art-making. By delving into my own thoughts and feelings, I aim to create pieces that resonate with authenticity and evoke a connection with others. My goal is to offer a glimpse into the depth of human emotion, fostering a shared understanding and appreciation for the complexity of the human experience through the medium of art.

Do you have any tips for other artists who are just starting out?
My advice to fellow artists who are just starting out is to simply begin without waiting for the perfect time or circumstances. The act of starting itself is a crucial step in the creative journey. While it’s important not to copy other artists, observe and learn from their techniques, allowing yourself to be inspired. Explore inspiration not only within your own medium but also across various artistic disciplines, as diverse influences can enrich your creative perspective. Remember, the journey of art is as much about exploration and growth as it is about the final masterpiece.

SCVTV.com: Jermaine Saunders Explores Modern Landscapes in Exhibit ‘Round and Round: The Carousel Canvas’

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Past Exhibitions

The Joshua Tree Chronicles AI Images by Edwin Vasquez
February 6 – April 1, 2024
Reception: March 21, 7-10pm
The MAIN, 24266 Main Street, Santa Clarita, CA 91321

The City of Santa Clarita is excited to announce the upcoming exhibition, “The Joshua Tree Chronicles AI Images,” by artist Edwin Vasquez. This multidisciplinary series, running from February 6 through April 1, with a special reception on March 21 from 7:00 p.m. to 10:00 p.m., delves deep into the existential narrative of Joshua Tree (Yucca brevifolia), a symbol of endurance in the arid landscape of the southwestern United States.

Edwin Vasquez, through his AI-generated images, brings a new perspective on the plight of Joshua Tree in the Antelope Valley. His work is a poignant commentary on the ecological challenges faced by this iconic tree, including climate change, habitat loss, wildfires, and human activities.

“The Joshua Tree Chronicles AI Images” is more than an exhibition; it’s a journey through the possible futures of these majestic trees. Vasquez’s AI-generated images offer a glimpse into worlds where the fate of the Joshua Tree isn’t left to chance. The series includes dynamic videography, enhancing the narrative with visual sequences that evoke empathy and awareness about the urgent need for conservation.

The exhibition is an invitation to embark on a contemplative journey, exploring the resilience and struggles of Joshua Tree as a reflection of broader ecological crisis. Join us at The Main for this exhibition that blends art and environmental advocacy, encouraging us to confront our collective responsibility towards natures.

To schedule a private viewing of the artwork, please contact Jeff Barber JBARBER@santa-clarita.com.

How to Purchase Artwork:
For inquiries and to purchase artwork, please contact the artist directly.
Delivery will be arranged after the show ends on April 1, 2024.
Edwin Vasquez | repollo98@att.net | www.edwinvasquez.net

Q&A with Edwin Vasquez

Hi Edwin, thank you for exhibiting with the City of Santa Clarita. Tell us, what motivates you to create?
As an artist and writer, I want to leave a legacy for future generations to come. As an immigrant I want to create art that talks about important issues, so future artists can continue speaking on behalf of those who have no voice.

What these do you pursue in your art?
At the beginning I focused on the social political issues affecting my community and as much as I want to create something different, politics are always the main cause of the problems affecting our country. Even in this series of the Joshua Tree, some politicians voted against the laws protecting this trees because they argued there is not space to build in the desert.

What is your favorite piece of work that you’ve created?
It is very difficult to select one. Perhaps the most meaningful was a collage I made during the lockdown in 2020 entitled New World Fashion which I showed at the Brand 48. The art piece won the Associates Award.

How do you come up with ideas for new pieces?
I read and write a lot, and often, a word or a phrase lets me think of the possibility of making a series of paintings. With artificial intelligence it has become easier to explore those ideas because I can write a prompt and have almost instant images that I can use as a reference for future work.

What memorable responses have you had to your work?
For these project, I received a grant from MHR Foundation for Artists; Dr. Betty Ann Brown wrote an essay about my work; Art writer Genie Davis wrote a review of my work; and UCLA Chicano Studies selected my project to kickstart their art shows. Some awards I have received are listed on my website edwinvasquez.net

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SCVTV.com: Finding Art: The Joshua Tree Chronicles AI Images by Edwin Vasquez
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SCVTV.com: Edwin Vasquez Interview

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